Die MEI G² Serie von LD Systems ist sinnvoll ausgestattet und bietet professionelles In-Ear-Monitoring zu einem attraktiven Preis. The new LD Systems MEI G2 In-Ear Monitoring-System with 96 UHF channels with outstanding sound quality and a large dynamic range in the - LD Systems MEI G2 UHF Wireless In-Ear-System. bestehend aus 9,5" Stereo Sender MEI T, Bodypack-Empfänger MEI G2 BPR und Ohrhörern.
LD Systems MEI 100 G2Die MEI G² Serie von LD Systems ist sinnvoll ausgestattet und bietet professionelles In-Ear-Monitoring zu einem attraktiven Preis. The new LD Systems MEI G2 In-Ear Monitoring-System with 96 UHF channels with outstanding sound quality and a large dynamic range in the - LD Systems MEI G2 BPR Empfänger: harshhy.com: Musikinstrumente.
Ld Systems Mei 100 G2 Bewertungen VideoHalf-arsed review: is the LD Systems 100G2 IEM receiver ok (spoiler - not really) ?
Beide Empfänger besitzen einen Metallklemmbügel an der Rückseite, um das Gerät entsprechend an der Kleidung des Trägers zu befestigen.
Hierfür haben sich vor allem Kletttaschen aus Neopren etabliert. Speziell im Livebetrieb übernehmen sie zusätzlich die Funktion des Balancereglers für die Justierung des Stereo- bzw.
Zwar lässt der sich relativ leicht lösen, aber man muss etwas fummeln, um ihn ganz aufzubekommen, wenn sich noch keine Batterien im Fach befinden.
Weiteren beweglichen Elemente, die versehentlich aufgehen oder abbrechen könnten, gibt es am Empfänger keine. Sie liegen horizontal im Gerät und sind sehr gut zugänglich und entsprechend schnell und leicht zu wechseln.
Auch dies spricht für ausreichende Arretierung mittels Tasche anstatt der angebrachten Klemme. Limiter: Optional lässt sich ein Limiter in den Signalweg schalten.
Damit sind Ohren und Hörer bei eventuellen Lautstärkespitzen geschützt, wie sie zum Beispiel im Fall von Feedbacks oder lauten Knackgeräuschen entstehen können.
Locking-Funktion Sperren des Empfängers : Ist diese Option aktiviert, ist keine Veränderung mehr über die Scrolltasten möglich, der Empfänger ist somit gegen versehentliches Verstellen geschützt.
This is the only way to reach the scroll keys on the MEI ; the set button is located under the front cover of the battery compartment, which you have to open first to adjust the settings.
This model is the same in that you first have to select a group and channel from the menu using the set button. The priority with the MEI G2 therefore is in keeping the flap open, so you can easily operate the scroll keys during operation.
Similar to the process on the transmitter, the receiver display shows the selected frequency after a few seconds, which must match that of the transmitter.
The display on both receivers displays whether a RF or broadcast signal is being received, and an AF display indicates whether an audio signal is present.
The hope is that this results in background noise-free transmission of the monitor signal to the transmitter. However, this is not always immediately the case.
It is therefore advisable to turn up the volume control on the receiver slowly and gradually. If the result is not satisfactory, i.
The MEI G2 appeared largely resistant to all sorts of other sources of interference, such as mobile phones, laptops, Bluetooth, Wi-Fi and whatever else is in the overall electromagnetic pollution floating through the air.
The reception range, even through multiple walls, was equally impressive on both models. This should rarely lead to on-stage problems, which is especially critical for applications in which the actors are positioned far away from the transmitting station.
This is common in theatre productions, outdoor events, conferences and similar events, in which cases this would work and forego the need for costly directional antennas.
With regard to the signal-to-noise ratio, I must add that open, non-adjusted earpieces must usually be set to higher volumes, which inevitably increases the noise.
I would describe the sound quality on both systems as adequate, and definitely good enough for most applications.
One must be aware that it is mainly the low frequencies that are lost when transmitting wirelessly. It could be that this is required here, and I found the result helpful, but the function is however not mandatory.
Normally, the sound can already be modified accordingly by the monitor desk. Even the cheaper MEI G2 showed sufficient definition in this regard.
Neither systems produce hi-fi sound, and you have to be clear about that. The systems are designed for stage monitoring with the proviso that you can hear certain things well, and they absolutely deliver on these two aspects.
The optional switchable limiter on the MEI G2 is definitely a plus in terms of safety, should unexpected peak signals occur. As a plus, you can use the MEI G2 option in focus mode.
However, this is strictly a question of the application area. You have to be clear that the so-called focus mode does result in a significant compromise on sound, which in reality is a dual-mono mode.
When working with a highly stereo-heavy sound environment, for example, with lots of keyboards, two guitars, and a percussion microphone all forming part of the stereo environment, or a stereo-ambience microphone to feed the sound into earphones, there will be considerable loss of sound in mono mode.
Lots of special keyboard sounds that use phase effects are not mono-compatible and suddenly disappear in the monitor mix, taking lots of signals out of phase with it, resulting in thin and tinny, echo chambers that disappear partially from the sound.
On the other hand, the ability to directly control your own signal in relation to the residual signal on its receiver during the performance autonomously and directly, should not be disregarded.
Personally, I would however, always give the priority to the stereo mix, the resulting sound and the possibility of distributing the signals along the stereo field, which provides much greater transparency.
But, as I said, there are other areas where the systems could be used, such as for purely language-oriented purposes, where mono signals are perfectly adequate and priority can be given to controlling the channel levels.
Please give us the reason for your assessment in the following text box and — if possible — your e-mail address for further questions.
Send report. Item itself is made well, with good features. Both the receiver and transmitter seem sturdy and from experience can withstand a blow.
We bought four of these to use in a stage monitoring system. Visually they look good but that is about it. We encountered problems that, when being as far apart from each other as possible in the free frequency range they would still interfere with each other.
This means random high pitch noises, drop outs, quality drops. Good for beginners but in the long run I would suggest investing a bit more in to this kind of product.
As I have been playing on small and midrange stages for the last years, the monitoring has often been very bad. So I decided to get an in ear system, so I can make my own monitoring mix on stage.
At the beginning I thought of a tethered in ear system I am a keyboarder , because I can't move that much on stage, and because of many wireless systems, that make use of frequencies in the LTE band, which is unusable after the year It simply uses other frequencies, that are free to use for the next time.
The street price of around EUR convinced me to test this system. As i got it from Thomann, I tested it at home first with a computer playing music as a source.
And I have been very surprised of the quality of the stereo signal. I expected less. For shure, it ain't the sound, which you will get out of your professional monitor speakers in the studio, but it's quite good especially for live situations, where you are often surrounded by lots of different noises.
In live situations I don't use the stereo mode. I get a signal from the person who does the monitor mix. The signal contains everything except my keyboard sounds.
The second signal is a monitoring signal from my keyboard submixer, that I also use on stage. With the MEI G2 you can use the mono-mode to mix two signals.
So I can adjust the bandvolume and the volume of my keyboards as I like, and I'm not depending on the monitor mix of someone else. The in ear headphones are ok.
They reduce the environmental noise as much as my Elacin ear protection with 25db filters. All in all the monitoring situation is much better than it has been before.
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Dieser Artikel wurde durchschnittlich mit 4.10/19/ · The LD Systems MEI G2 & MEI G2 in-ear systems are two new affordable amateur systems for wireless monitoring. Already in line with the new EU regulations (lots of old wireless systems will be discontinued by 01/01/ due to a reorganisation of frequencies granting permission for . LD Systems MEI G2 je bezdrátový UHF in-ear systém. Připraveno je 96 přednastavenými frekvencí pro bezproblémový provoz. Systém poskytuje vynikající zvuk s rozšířenou dynamikou. Přepínatelné mono a stereo režimy, ideální monitorovací systém pro živou hudbu, divadla a hlasové aplikace%(3). LD Systems MEI G2 In-Ear Monitoring Funksystem hoher Rauschabstand bis zu 5 Systeme gleichzeitig pro Frequenzband Funkfrequenz: - / - MHz Übertragungsbereich: 80 Hz - 15 kHz Übertragungsmodi: Mono, Stereo 19"-fahig?: ja Anschlüsse Empfänger: Mini-Klinke, stereo Anschlüsse Sender: /5(12). I was holding back on buying IEMs because I already have instruments on channel 70 and you can only realistically fit 3 or 4 transmitters Spiele Wo Man Geld Gewinnen Kann there. Hello Elaine, We would ask you to send it back, because it seems like it needs to be repaired. Expensive transmitters sometimes have a useful scanning feature that searches the area automatically for free, unassigned frequencies.